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Pour one out for Jerry, who vainly tries to get rid of Newman once and for all., “The Hot Tub” sees Jerry, Elaine, and Kramer destroy marathon runner Jean-Paul’s chances of winning the New York City Marathon, albeit entirely by accident.
At this point in the series, the plot-dovetailing becomes so complicated that it’s hard to tell whether the intersections are brilliant or totally accidental. It’s true that this episode is as groundbreaking as episodes. The mixture of shame and terror in his eyes when he tells Jerry “it moved” is pathetic and hilarious — as is the vocal-heavy scatting that happens in this episode’s interstitial music (a flourish thankfully discarded soon thereafter). ” exclamations from George, the one at the climax of this episode might be the best.
The aftermath of Susan’s father’s cabin burning down is, unfortunately, not as funny as when the actual cabin burns down. A showcase of Richards’s incomparable gift for physical comedy — first when he tries to toast his clothes in the oven where George gets Steinbrenner calzones for lunch every day, and then when he throws a sack of pennies at Elaine’s non-boyfriend Todd Gack. ” Everyone knows that illicit behavior often happens in the back of vans, and man, what occurs in Seinfeld’s van at the end of this episode is so depraved it shocks even George, the most depraved individual of all. When it comes to vanity on , does any infraction come close to Jerry adjusting the size number on his jeans from a 32 to a 31? The Kramer subplot involving unemployed Dominicans and Cuban cigars is unfortunate, but Elaine’s refusal to enjoy the stuffy, overblown melodrama of didn’t invent yada yada, but it did propel it to stratospheric pop-cultural prominence — unlike spongeworthy, people still say it today. Once it does, though, it’s best moments — Elaine attempting to eat off a patron’s plate as part of a bet, the restaurant’s host yelling “Cartwright! Possibly the most flagrant display of homophobia from George, who Can’t. Like many two-parters, this one starts to sag when it reaches its second half. George is so bad at everything related to employment that he can’t even get fired properly. The conflict between Jerry, Elaine, and Puddy feels like a less-sex-obsessed version of their subplot in “The Fusilli Jerry,” but Kramer taking the concept of a “test drive” to the absolute limit is weirdly exhilarating.
George is right, too: “Hoochie mama” is more fun to yell than “Serenity now! The episode’s conclusion, in which Jerry makes a joke about falling off the wagon and Elaine’s reformed alcoholic boyfriend toasts him with a cup of coffee, feels false — , at its best, is explicitly not a “feel-good” show. One simple rule: If the bra doesn’t fit, you must acquit. Possibly the only episode of A better bottle episode than “The Chinese Restaurant” and “The Parking Garage” combined, this one sees Jerry and George make an ethically questionable decision and thereafter suffer every imaginable consequence.(The answer may surprise you — or it won’t.) Jason Alexander fidgets brilliantly while depicting George’s inability to keep a secret — and yet for once, George isn’t the biggest liar in an episode. There’s a secondary arc that features Kramer and a wealthy Texas businessman betting on plane arrival times at the airport, but your level of interest in that story likely depends on how much you know or care about gambling. The job talk between George and Jerry, one of the show’s classic conversations, is at the center of this episode.Not far behind is George “slipping a mickey” into his boss’s drink to get “revenge,” a diabolical plan that reinforces here in the early seasons just how broken of a moral compass he possesses. Not even the minor revelation that George cheated during “The Contest” can save what is an uninspired parade of guest stars and forgotten characters. sitting around waiting for someone in a hotel lobby. Elaine’s sexy-voice answering-machine prank in this episode is mildly humorous, but the collective horndog mentality displayed by Jerry, George, and Kramer runs contrary to the show’s established platonic-frenemy dynamic. What distinguishes this early episode is the creation of George’s architect-cum-importer/exporter alter ego, Art Vandelay (initially “Art Vandercore” and “Art Corvolet”). Say any set of words enough times and it sounds funny, which is why most of this episode’s comedic gas comes from hearing both Elaine and George’s girlfriend Julie repeat the phrase big salad. (Really.) Otherwise, it’s more or less a comedown narrative after Jerry’s parents are dramatically evicted from Del Boca Vista. Elaine telling George that he’s cheap is priceless, though, as is the exaggerated physical comedy as Kramer attempts to undress himself in front of Elaine and Jerry after he accidentally sees the former naked. As George’s descent out of the Yankees’ good graces continues, Kramer reaches a new low by promising a sick child that Paul O’Neill will hit two home runs in one game. But upon rewatching, you realize that, yeah, it is that bad. An episode about sitting around waiting for someone in a hotel lobby, “The Jacket” offers all the thrills of … If nothing else, this episode serves as a public service announcement: Don’t eat a lot of poppy-seed muffins if you need to pass a drug test. George using “the truth” to break up with a girlfriend makes for a good premise, but in terms of a solid, engaging plot, this episode falls flat.