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She returned in January of 1963, and weeks later Columbia records send photographer Don Hunstein to shoot the cover of .

“We walked the length of Jones Street facing West Fourth with Bleecker Street at our backs.

To unsuspecting consumers, throwing Baez into the mix was to insinuate the much-dreamed-of Dylan/Baez duet.

Those who bought tickets on that basis would be as sadly disillusioned.

When 19-year-old Bob Dylan arrived in Greenwich Village in January 1961, Joan Baez had long been crowned the “Queen of Folk." Within two short years, Dylan would ascend the throne as King of this musical monarchy, with the two wowing audiences from coast to coast with their live duets. Several weeks later at the Monterey Folk Festival, she would join Dylan onstage for a duet of " He performed two duets with Baez, one in her set and one in his own.

," Dylan wrote that, back in Minnesota, the first time he saw Baez on TV, “I couldn’t stop looking at her, didn’t want to blink... By now smitten, Baez then invited Dylan along on her August tour, where she would bring him out for duets and give him short solo spots to hawk his wares.

On June 6, 1980, Dylan and Baez would reunite for the one-off “Peace Sunday” concert that took place in Pasadena, California.During Rotolo’s trip to Italy in 1962, Rotolo met film editor Enzo Bartoccioli. She lived in downtown New York her entire life, and worked as a teacher, a painter and a book illustrator.For many, when you utter the words "folk music," the first two people that come to mind are Bob Dylan and Joan Baez, the biggest stars of the 1960s folk craze. However, by the time they finally met at Boston's Club 47 in April 1963, Dylan had evolved into the scene's most promising singer-songwriter, and Baez was blown away.“He knew about Woody [Guthrie] and Pete Seeger, but I was working for CORE and went on youth marches for civil rights, and all that was new to him.” Rotolo told Dylan about the brutal 1955 murder of Emmett Till, inspiring Dylan to write his early protest classic “The Death of Emmett Till.” “I think it’s the best thing I’ve ever written,” Dylan said at the time.“How many nights I stayed up and wrote songs and showed them to [Suze] and asked, ‘Is this right?

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